dream lover


 

21

 

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manaka

f6 ,watercolour,colour pencil, oil pastel

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manaka

f6 ,watercolour,colour pencil

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nami

f4,water colour ,colour pencil, cut and paste

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nami

water colour ,cut and paste

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nami

f4,water colour , samplig

15

f4,water colour , cut and paste

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f4,water colour ,cut and paste

light shows up bright red japanese traditional outfit in the evening.

13

f6 ,watercolour,colour pencil

この絵には夏の夜のイメージをこめました。蚊取り線香が漂い、雨のしとしと降る闇、そろそろ布団にはいろうかなという雰囲気。安堵感に満ちた静かさ。

水彩色鉛筆で引いた輪郭や髪の毛の線を濡れたブラシでなぞるとやさしくて繊細なにじみが出て、独特の風合いがあります。

12

22x38cm , water colour, oilpastel

a girl cut and pasted on the the paper sleeps in the sweet memory of miraculous summer .

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f6 ,watercolour,pastel

髪の毛を描くのは楽しみではないですが、ごちゃごちゃやってるうちにほっぺたのなめらかさとの対比が出てきます。パステルもつかって描きます。顔にはあまり細かい陰影はつけないほうがいいですね。光は初夏のころ、梅雨入り前の乾いた午後のように感じられるでしょうか。

10

a4,watercolour,oilpastel,sampling

i remember she said thank you so much asking me to go out however she refused that. i could see sincere respect on her face at that moment. i was happy to be taken care of . that is the way we japanese treat each other respetfully.

09

a4, watercolour, pastel, colour pencil,cut and paste

somebody told me the way of painting as this is called decobage of which i have never heard.

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a4 ,watercolour ,oil marker,sampling

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a4 ,watercolour ,cut and paste

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the moment of ......

a4 , watercolour , colourpencil

05

waiting for me in the night garden

a4 ,watercolour ,sampling

in the wetty rain of early summar, she is standing alone in the warm room light.

04

a4 ,watercolour , cut and paste

03

personal room

a4 ,watercolour ,oilpastel ,cut and paste

02

the night passage of japan

a4 ,watercolour, oilpastel, cut and paste

01

say you love me in the wind of spring

a4 ,watercolour, oilpastel ,cut and paste

please look at this black. i think it reminds me of german romantic paintings. darkness is often main subject of them .it is not meerly shadow of objects but main theme . that spread and hold the world , veilig somethig untachable things which is sinister and fascinating .